Nothing Is Larger Than Life

 Abstract art conveys life’s vastness metaphorically. When I asked the artist to speak about his work, he quietly replied, “Let my art speak for me.” And indeed, his visual language is both excellent and captivating, filled with thoughtfulness. A gold medalist from L.S. Raheja, he intended to be an artist from his childhood. Beginning with realistic representations, he has evolved into abstraction, driven by what he sees beauty or harsh reality turning every subject that strikes him into a canvas of personal reaction and anticipation.

 Across his portfolio, clarity and beauty are constant. The expressions are uncomplicated, easily interpreted yet rich. His experimentation impresses—he adopts diverse techniques. In this series, he uses the mason’s trowel not merely for texture-smoothing, but as a symbol: an instrument of leveling, perhaps a metaphor for peace amid today’s chaotic national state.

 He perceives distractions, moral decay, and social isolation stemming from selfish influences, believing these must not simply be controlled—but completely erased in favor of goodwill and harmony. To represent this, he paints triangles—geometric metaphors of developmental, cultural, and social psychology, pointing to the relationship between individuals and society. In one painting, two triangles join at one angle, conveying hope for reconciliation, harmony, and a peaceful future.

 Concept is strong, but technique matters too. He uses vibrant colour combinations and smoothened surfaces to give flow and grace. From student days, his art provokes—from admiration to critique—and while reactions vary, he values interest above all, painting with serenity and freedom, unanchored by ism or external influence. Whatever inspires him, real or raw, is transferred onto canvas.

Vijay Achrekar