If aesthetically criticized, my works appear superficially more in the illustrative mode of visual art. Rather, one gets a feeling of a conscious effort of narrativeness in my work.

Having said so, I take care that the narrativeness is maintained in my work, which sometimes gives it an aesthetically raw look.

However, illustrative or not, my chief concern is the social obligation of myself, in and towards society. The approach is both pessimistic as well as optimistic. Sensitivity or sensitiveness in me is set on the parameters of social obligations and duties, which is depicted in a rather constrained and rigid form—either humans, or automobiles, or, for that matter, any other man-made object.

But clear or not, the message is wild and strong. I believe in what I am, and what I am is manifested by social elements, and vice versa.